#What is an envelope filter Patch#

18:28 - An FX Selector for the nested Feedback chain.16:30 - The Selector devices, with note-triggered modes.14:45 - Keytrack, for pitch-based modulation.14:09 - Drag-and-drop for modulator routings.12:20 - Chain device, for global modulations here.10:41 - Starting over with regular devices, like Delay-1.9:50 - Sum (ОЈ), to merge signals together.8:58 - N-Latch, for applying one trigger at a time.6:50 - Using notes (via Key On) to change repeat times.5:31 - Hybrid tracks allow notes and audio in parallel.Because making new sounds in BitwigВ Studio leaves the power in your hands. Topics include basic delay structure, using Hybrid tracks for notes + audio, turning any Grid signal into a modulator, and the power of Bitwig's Chain and Selector devices. Making an audio repeater is so interesting and fun that we build it once in The Grid and once with standard devices, touching off small discussions along the way. 14:13 - Modulator Out, to use any signal as modulator.13:36 - Pressure In, for poly pressure / MPE.11:27 - Logic Delay, for time-shifting envelopes, etc.9:06 - Creating feedback connections in The Grid with Long Delay.2:35 - Stereo delay and feedback sound design example.1:56 - Changing things each loop makes feedback interesting.0:59 - Delay allows FX/plug-ins into the feedback loop!.0:14 - Feedback, a (potential) force for good.Processing a signal over and over again without it ever repeating (can be) a lovely thing. In this tutorial, we use Bitwig's powerful feedback options in the regular Delay and Reverb devices, explore oscillator feedback in Phase-4, and then create feedback in The Grid for some creative instability. It isn't always a 'happy accident,' but when feedback is done intentionally, rich and changing sounds can be found. 10:39 - Details, like routing feedback.9:13 - When the envelope reaches zero.7:55 - Task 3: building a looping envelope.4:32 - Task 2: What is a low-pass filter?.2:05 - Task 1: Velocity as an amplitude control.

#What is an envelope filter Patch#

This tutorial looks at three examples: making a patch velocity-sensitive, seeing how low-pass filters relate to amplitude, and using comparators to make a looping envelope.Д«y lifting the veil on a few simple ideas, take The Grid (and any modular environment) to a new level. While math is everywhere in sound synthesis, it doesn't always ask for attention.